Revolutionary Climatology: Rings of Saturn, Ringed by Red Lightning

Sarah K. Stanley

Abstract


Walter Benjamin’s concept of historical materialism is considered as a practice of media archaeology invented through literary montage and photo philosophy. The Arcades Project that facilitated this new research methodology involving a mobile archive. The main case involving architectural theory considers how Benjamin redeployed Sigfried Giedion and Laszlo Moholy-Nagy’s Building in France as a media environment, drawing upon its layout design, photo illustrations and textual systems. In terms of his urban writing, a reading of ‘A Berlin Chronicle’ considers how the diagram contributes to Benjamin’s archaeological methods, as a theory to generate site writing. Benjamin’s mode of media archaeology is then employed to map the arcades architecture onto the train stations and libraries in Berlin and Paris, sites that informed The Arcades Project. The final section assembles a set of citations as ‘Revolutionary Climatology’, thought-images as flashes of red lightning.


Full Text:

FP18 A7

References


Walter Benjamin. The Arcades Project, Ed. Rolf Tiedemann. Trans. Howard Eiland and Kevin McLaughlin, (New York: Belknap Press, 2002).

“Exposes, Paris, the Capital of the Nineteenth Century" (1935) in The Arcades Project, Ed. Rolf Tiedemann. Trans. Howard Eiland and Kevin McLaughlin (New York: Belknap Press, 2002), 1-13.

Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” [1936], in Illuminations: Essays and Reflections, ed. Hannah Arendt, trans, Harry Zohn (New York: Schocken,1969), 219-253.

“One-Way Street” in Illuminations: Essays and Reflections, ed. Hannah Arendt, trans, Harry Zohn (New York: Schocken,1969),

‘A Berlin Chronicle’ in Reflections: Essays, Aphorisms, Autobiographical Writings (Random House, 1995).

Sigfried Giedion, Building in France: Building in Iron, Building in Ferro-Concrete (1928) (The Getty Center, 1995),

Giedion’s Bauen in Frankreich (Leipzig and Berlin: 1928),

‘Space, Time and the Photographer,” in ed. R. Kostelenetz, Moholy-Nagy, An Anthology, (New York, 1970).

Roland Barthes, ‘Eiffel Tower’ in A Barthes Reader, ed. Susan Sontag (New York: Farrar, Straus and Giroux, 1982).

Markus Jager, Housing Estates in the Berlin Modern Style, München and Berlin: Deutscher Kunstverlg, 2007.




DOI: http://dx.doi.org/10.7480/footprint.10.1.975

Copyright (c) 2016 FOOTPRINT

FOOTPRINT . CC BY 4.0 . ISSN 1875-1504